The Great Tragic Revival (1858) Brougham, John Derived Text Format to access the structural information conversion Mathias Göbel TextGrid CC-BY-4.0 Lizenzvertrag John Brougham, 1810 – 1880 The Great Tragic Revival. A New and Undoubtedly Original Contemporaneous Dramatic Absurdity, in One Act and Several Tableaux. To which Are Added a Description of the Costume — Cast of the Characters — Entrances and Exits — Relative Positions of the Performers on the Stage, and the Whole of the Stage Business. As Performed at Burton's Theatre New York Samuel French 10 p. Jessica Barown Cassius Marc Antony Shylock Barown unclear Iago Iachimo Jones Marcus Brutus Richelieu Samith Helen McGregor Tom Bernardo Bill Rubaldi Romeo Stubbs Drama Prose data extraction from source 1858 THE ARGUMENT.

Great truths have frequently been thundered into the world's ear, through the instrumentality of the player's art. It is self-evident that a common-place and UNDIGNIFIED FAMILIARITY now pervades the atmosphere of every-day life. How different the superb Nimbus, of cold but classic formality, which surrounded the HEROES OF THE OLDEN TIME, as recently exemplified at all our first theatres. Compare the diction and demeanor of

MR. PRIME MINISTER RICHELIEU

with those of the

HONORABLE LEWIS CASS.

What a declension! What a humiliating change!

It is the province of the dramatist to show society its errors, regardless of private prejudice or public animadversion. The conventional conversational tone is utterly

UNWORTHY THE GREAT AGE WE LIVE IN.

It must be elevated to the proper histrionic standard. Therefore, acknowledging the necessity of this radical reform,

COME, SEE, AND BE INSTRUCTED.

THE PROGRAMME. DISTRIBUTION OF CHARACTERS. Marcus Brutus Richelieu Samith Mr. Brougham. Cassius Marc Antony Shylock Barown Mr. Burton. Iago Iachimo Jones Mr. Walcot. Romeo Stubbs Mr. Barrett. Tom Bernardo Mr. Setchell. Bill Rubaldi Mr. McRae Jessica Barown Miss Polly Marshall. Helen McGregor Miss Stella. Policemen, Messengers, &c.

The scene, which may be thought singularly inappropriate, has been recklessly selected, without the SLIGHTEST REGARD TO EXPENSE, and will represent a baronial hall of Mediæval magnificence, the same being an old and well-established favorite — such unquestionable claims to consideration being deemed sufficient equivalent for its unfitness in every particular. The plot of the drama, together with a pair of antique folding doors, will be simultaneously opened by two WAITERS IN LIVERY, disclosing an ante-chamber of regal proportions. The speculative spectators may exercise their imaginative faculties in picturing to themselves what a GORGEOUS BAL MASQUE might be given in those elegant saloons, if its legal possibility could be achieved. Also, what countless PYRAMIDS OF ICE CREAM, and GOBLETS OF ORIENTAL SHERBET might be consumed in such a fairy-like retreat, especially if heightened by the introduction of an ALABASTER FOUNTAIN OF REAL WATER, temperately diluted with suppositious COGNAC, from any of the hotels.

Important Notice . — It is a well accredited fact that the pabulum which sustains the art life of both actors and dramatists is PUBLIC APPROBATION. In order that the invigorating and indispensi le mental aliment should be administered at the proper period, A GONG WILL BE SOUNDED whenever a joke of sufficient magnitude shall have eventuated.

N. B. — Should the drama not be found sufficiently absorbing, the MORNING AND EVENING PAPERS, together with Harpers' Magazine or the New York Directory, will be found admirably adapted to divert undue attention, and ameliorate the rigor of intellectual fatigue.
SCENE I. — Breakfast Room in the House of Shylock Barown. Bill Bernardo and Tom Rubaldi meeting — Bill with dish, R. Bill.

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Exeunt. Music. Enter Iago Jones and Romeo Stubbs , C. Jones.

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Bill Bernardo enters, L. Bill.

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Chord. Music. Enter Barown , tragically — he paces to and fro. Tom.

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They retire , C. Rich.

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They rise. Shy.

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They rush at each other. Jessica rushes on, and interferes. Jes.

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Enter at top Romeo and Iago , C. Iago.

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Exit . R. I. Enter Jessica and Helen M'Gregor. Helen.

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An irruption of people, with bandboxes, headed by Romeo. Romeo.

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Enter Shylock. Shy.

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Enter Richelieu. Rich.

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Enter Iago. Iago.

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They fight with umbrellas. Iago.

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Fight with pistol and bowic knives. Jes.

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Runs to window. They all fight a desperate combat. A squad of Police range at the back, and look quietly on . Jessica hastily swallows a mouthful of tea, which kills her instantly. Her example is followed by the devoted attendant, who collapses also. At the sound of the gong, they all give up the ghost, leaving the vigilant guardians of the peace, masters of the field. THE END.